Trotuar

We speak to you in one language and to you in another, we do not wish to give ourselves away or limit ourselves, we are open and ready to confuse because we are not at home, because yes we are homeless, because we do not know each other, because we contain multitudes and our hatreds define us more than our loves. We are three, maybe four people and do not stop to think that you know any one of us better then another, or that even your slight acquaintance with one of us blocks out the others, we are unknowable in our infinities like the sounds of an orchestra going out of tune or brave men dying slowly in fear. We have no voice, we have no accent, we come from nowhere and have no centre, we are unknowable and shapeshifting with one face for you and one for anyother because we wish to please ourselves by deceit and falsehood and the changing of our failing identity. We pass the nights in fire with each other like dancers gone wild to the music of their ancestors enhanced through th...

"Adevaratul dialog este sa te sprijini pe argumentele interlocutorului, nu sa le demolezi" - baronul Edward George Bulwer Lytton (are numele cit un citat:)) (daca gasiti varianta originala in engleza, please send it to me, eu am tradus o varianta in franceza)

I think cinematographic creation in digital era is infinite? think again: if I multiply the number of pixels on a screen with the number of colors it supports and with the number of frames in 1h 1/2 I will get a big number, true, but a FINITE one. and then great part of the resulting combinations are just abstract art, and another (smaller) part are movies already done. does that mean that there aren't so many movies left to be done in the digital era? anyhow, an important advantage of such a random movie making is that one needs no real actors, no real set, no real locations. just a damn fast machine. who wants to create the first frame ex-nihilo ?